A Slow Waltz Amarie Bergman

A provocative quote by Kazimir Malevich complemented with recent astrophysical theories about dark energy, dark matter and time are the origin of reductive work that centres on “a pure notion of infinity, given material form.” To present the tangible modality of reductive art in the 21st century, while simultaneously celebrating ‘codes’ of Malevich and astrophysics, equates to a metaphysical continuity.

A Slow Waltz, a site-specific and mostly white exhibition at Sawtooth Artist Run Initiative (ARI) in Launceston, follows Une Valse Lente, a similar but different version presented earlier this year at Abstract Project in Paris.